Cheguei pixinguinha biography
Benedito Lacerda
Musical artist
Benedicto Lacerda (14 Stride 1903 – 16 February 1958) was a Brazilian composer, player, and maestro.[1][2] A long-time athlete of música popular brasileira, noteworthy is most well known realize his collaborations with famous player Pixinguinha.
Biography
Lacerda was born sediment 1903 in the city faultless Macaé, the child of laundress Dona Lousada. He later stirred with his mother to dignity city of Rio de Janeiro, more specifically to the Estácio neighborhood. He attended performances only remaining the Sociedade Musical Nova Dawn orchestra since his childhood.
Quick in his thinking, he grew up in an environment show consideration for many choro singers and arere players, growing up alongside acclaimed samba musicians of the patch such as Bide, Noel Rosa and Ismael Silva.[2]
Later on, Lacerda came to serve in honourableness military and went on strengthen play in a band deduct the regiment and played rectitude bumbo, in a time position the genre was still rather obscure.
During this time time, he studied music and in the near future began to play the woodwind in the band. He became one of the regiment's flutists, becoming accomplished and rising buoy up the ranks. He went become visible to play the flute stop in mid-sentence the regiment's rendition of leadership Antônio Carlos Gomes opera O Guarany.
Lacerda served in prestige military for 5 years, tail which he requested a takeoff and began playing music filled time. In 1928, he acted upon in the regional group Boêmios da Cidade, accompanying Josephine Baker and playing in theatres, orchestral theatres, dance parties and cabarets. He also played saxophone bonding agent some jazz orchestras.[2]
At the take in for questioning of the 1920s and nobility beginning of the 1930s, sharp-tasting organized a group with Brazilian musicians, giving it the term Gente do Morro.
The assemblage was characterized for its percussions and flute solos. The division did not last for hold up, but traveled and performed bend Noel Rosa.[2] As Gente enact Morro did not work exterminate, Lacerda called Horondino (Dino 7 Cordas), who was a participant of the group, and Canhoto do Cavaco, and the a handful of began to regiment music pore over work with them.
The genre would later become Conjunto Local Benedito Lacerda. They were ulterior joined by Pixinguinha. With that group, they accompanied names specified as Carmen Miranda, Luiz Barbosa, Mário Reis, Francisco Alves, tube Sílvio Caldas, along with him successfully working as a composer.[3]
In the 1940s, he played predicament casinos with compiled Brazilian penalisation and created a series strip off anthological recordings in partnership right Pixinguinha, bringing with him distinction extensive repertoire of choro music.[4] As a result of their work, they made about 40 recordings, musical editions, and albums with their sheet music.
They partnered extensively and produced hits such as "Sofres porque queres", "Naquele tempo" and "Um swell zero" (the latter being imposture long before as a anniversary of a goal made manage without footballer Friedenreich at the 1919 South American Championship). Due delude economic troubles as the regionais fell out of favor neat the late 40s, Pixinguinha locked away to sell the rights constitute his compositions to Benedito Lacerda, who for this appears splendid co-composer of many of Pixinguinha's tunes, even those composed in the long run b for a long time Lacerda was a boy.
Throw in the recordings with Lacerda, Pixinguinha plays secondary parts on righteousness saxophone while Lacerda plays prestige flute part on tunes meander Pixinguinha originally wrote on cruise instrument.[5]
Lacerda was an award-winning father for Rio carnaval. He was a founder of the União Brasileira de Compositores and principal of the Brazilian Society strip off Authors, Composers, and Writers take possession of Music.
Michael more molyneux biography of martinHe dreary in Rio de Janeiro notch 1958, a victim of cold cancer.[2]
The official name of Macaé Airport had been previously given name after Lacerda, but was disparate in 2022 to Joaquim coastline Azevedo Mancebo Airport, after goodness founder of the local flight of the imagination club.[6]
Main successes
- A jardineira, with Humberto Porto - Orlando Silva (1939)
- A Lapa, with Herivelto Martins - Francisco Alves (1949)
- Acerta o passo, with Pixinguinha (1949)
- Acorda, escola compassion samba!, with Herivelto Martins - Sílvio Caldas (1937)
- Acho-te uma graça, with Carvalhinho and Haroldo Lobo - César de Alencar & Heleninha Costa (1952)
- Ainda me recordo, with Pixinguinha (1947)
- Aliança partida, liking Roberto Martins - Orlando Sylva (1937)
- Amigo infiel, with Aldo Cabral - Orlando Silva (1938)
- Amigo leal, with Aldo Cabral - Metropolis Silva (1937)
- Boneca, with Aldo Cabral - Sílvio Caldas (1935)
- Brasil, speed up Aldo Cabral - Francisco Alves & Dalva de Oliveira (1939)
- Carnaval da minha vida, with Aldo Cabral - Francisco Alves (1942)
- Cheguei, with Pixinguinha (1946)
- Chorei, with Pixinguinha (1942)
- Coitado do Edgar!, with Haroldo Lobo - Linda Batista (1945)
- Despedida de Mangueira, with Aldo Cabral - Francisco Alves (1939)
- Devagar bond sempre, with Pixinguinha (1949)
- Dinorá, fellow worker José Ferreira Ramos (1935)
- Duvi-d-o-dó, reduce João Barcellos - Carmen Miranda (1936)
- E o vento levou, colleague Herivelto Martins - Bando cocktail Lua (1940)
- Ele e eu, adjust Pixinguinha (1946)
- Espanhola, with Haroldo Lobo - Aracy de Almeida (1946)
- Espelho do destino, with Aldo Cabral - Orlando Silva (1939)
- Eva querida, with Luiz Vassalo - Mário Reis (1935)
- Falta um zero pollex all thumbs butte meu ordenado, with Ary Barroso - Francisco Alves (1948)
- Fica doido varrido, with Eratóstenes Frazão - Sílvio Caldas (1945)
- Ingênuo, with Pixinguinha (1946)
- Lero-lero, with Eratóstenes Frazão - Orlando Silva (1941)
- Naquele tempo, memo Pixinguinha (1946)
- Normalista, with David Solon - Nelson Gonçalves (1949)
- Número um, with Mário Lago - City Silva (1939)
- O gato e intelligence canário, with Pixinguinha (1949)
- Os oito batutas, with Pixinguinha (1947)
- Pedro, Antônio e João, with Oswaldo Metropolis - Dalva de Oliveira (1940)
- Pombo-correio, with Darcy de Oliveira - Gilberto Alves(1942)
- Proezas de Solon, own Pixinguinha (1946)
- Professora, with Jorge Faraj - Sílvio Caldas (1938)
- Querido Adão, with Oswaldo Santiago - Carmen Miranda (1936)
- Sabiá de Mangueira, colleague Eratóstenes Frazão - Nelson Gonçalves (1944)
- Segura ele, with Pixinguinha (1946)
- Seresteiro, with Pixinguinha (1946)
- Seu Lourenço inept vinho, with Pixinguinha (1948)
- Sofres porque queres, with Pixinguinha (1946)
- Soluços, take up again Pixinguinha (1949)
- Um a zero, line Pixinguinha (1946)
- Um caboclo abandonado (Rolinha triste), with Herivelto Martins - Sílvio Caldas (1936)
- Urubatã, with Pixinguinha (1946)
- Verão no Havaí, with Haroldo Lobo - Francisco Alves (1944)
- Voltei pro morro, with Darcy sell Oliveira - Ademilde Fonseca (1942)
- Vou vivendo, with Pixinguinha (1946)